In the tapestry of contemporary Indian democracy, the call for the ‘annihilation of caste’ has seemingly stalled, giving rise to celebrations of ethnic and social belongingness. Despite acknowledgments in academic circles about the difficulty of erasing differences based on gender, race, nationalities, and languages, the secularization of identities remains an elusive goal. However, the discussion around caste identities in India continues to evoke anxiety and paranoia, particularly among groups associated with ‘low caste’ markers, who still grapple with discrimination and harassment.
In this milieu, the Marathi film Aatmapamphlet (2023), recently premiered on ZEE5, emerges as a thought-provoking interlocutor. Directed by Ashish Avinash Bende, the film places the question of caste, particularly the neo-Buddhist identity, at its core without reducing it to a simplistic prism through which to view social troubles, caste divisions, and violence.
At the heart of Aatmapamphlet is the character of Ashish (played by Om Bendkhale), a Dalit protagonist depicted as a playful and witty teen navigating his life’s journey against the backdrop of India’s socio-political upheaval during the 1980s and 1990s. The film creatively explores the possibility of secular socialization of caste identities, offering a fresh perspective on an age-old societal issue.
Aatmapamphlet opens with a refreshing acknowledgment that audiences won’t witness a grand historical spectacle centered on iconic personalities. Instead, it presents the intimate story of ‘normal’ individuals finding meaning in their existence amidst significant historic events like the assassination of Indira Gandhi, the Mandal Commission Report, and the Babri Masjid demolition. Against this backdrop, the film invites viewers to engage with the endearing love story of Ashish and Shrishti (played by Pranjali Shrikant).
Ashish’s infatuation with Shrishti sets the stage for a charming teenage romance, supported by his four mischievous classmates, forming a beautiful ‘brotherhood.’ However, the narrative takes a significant turn as the distinct social locations of the characters are revealed. Shrishti belongs to the Brahmin caste, while Ashish hails from a Dalit/neo-Buddhist family. Furthermore, his friends represent diverse communities, including Muslim, Maratha, Brahmin, and Kunbi.
Through its nuanced portrayal of relationships and identities, Aatmapamphlet challenges conventional narratives surrounding caste dynamics in Indian society. It offers a glimpse into the complexities of human connections and the potential for transcending societal barriers through genuine understanding and empathy.
In a cinematic landscape often dominated by formulaic narratives, Aatmapamphlet stands out as a bold and creative endeavor, paving the way for more nuanced discussions on caste, identity, and social change in Indian cinema. As audiences immerse themselves in this evocative narrative, they are compelled to reflect on the intricacies of caste dynamics and the transformative power of love and solidarity in a diverse and stratified society.
